Atkinson has always been a gripping storyteller, and her complicated narrative crackles with the earthy humor, vibrant characterizations, and shrewd social observations that enlivened her first novel but were largely swamped by postmodern game-playing in Human Croquet (1997) and Emotionally Weird (2000). The detective, whose bitter ex-wife uses Jackson’s profound love for their eight-year-old daughter to torture him, finds all these stories of dead and/or missing girls extremely unsettling we learn toward the end why the subject of young women in peril is particularly painful for him. Michelle was also 18 when she went to jail in 1979 for killing her husband with an ax while their infant daughter wailed in the playpen she vanished after serving her time, but Shirley Morrison asks Jackson to find, not her sister Michelle, but the niece she promised to raise, then was forced to hand over to grandparents. Theo Wyre’s beloved 18-year-old daughter Laura was murdered by a knife-wielding lunatic in 1994, and he too hires Jackson to crack this unsolved murder. Three-year-old Olivia Land disappeared from a tent in her family’s backyard in 1970 34 years later, her sisters Amelia and Julia discover Olivia’s stuffed toy in their recently deceased father’s study and want Jackson to find out what he had to do with the disappearance. They seem totally unrelated at first to private detective Jackson Brodie, hired by separate individuals in Cambridge, England, to investigate long-dormant cases.
After two self-indulgent detours, Atkinson proves that her Whitbread Award–winning debut, Behind the Scenes at the Museum (1996), was no fluke with a novel about three interconnected mysteries.
0 kommentar(er)
